ARTIST STATEMENT

I think of myself as a salvager, in that fascinating Cape Cod “Mooncusser” tradition. My process starts with searching Provincetown beaches and dumpsters for old previously painted wood. The point of using found material is that, as debris, it seems unpromising but that lack of promise is also its appeal. The peeling paint, the color scrubbed by salt waves, sand or human use allows us to recognize the influence of its past. I like the moment when I place the first pieces of old wood, seeing all that potential, seeing relationships of form begin to take shape. I have learned to listen to this found wood and allow for any chance opportunity to emerge, achieving the sculpture through modifying form with minimal carpentry—cutting, joining, sandwiching. The wood had an experience as boat, cabinet or floorboard and it remembers its past. I interfere with what it was made to be, to make it something else: a sculpture that suggests the endless process of transformation of the things of human industry.