"What became apparent to me as I viewed and handled years of work is the range of touch employed: from delicate washes of watercolor and pencil to scratched and carved surfaces of plaster, often with relief elements integrated into the imagery. Her work is “constructed” into being and there is a delight in the viewing of a body of work that is “well felt”. There is a fearlessness with material that matches her vision as she invites the viewer to join her spiritual travels, often creating surfaces that embody the ancient.

The Last Leopard – Avoiding Extinction is more than a metaphorical title for the individual artist speaking to and from, life on this planet: hers, ours, the leopards. This humble, vital and dynamic body of work is also a testimony from the heart, hand and intellect: it is a gift to all of us who seek.”

– Bert Yarborough, Curator